Las óleos de todo WERFF, Adriaen van der
ID Image  Painting (From A to Z)       Details 
7199  
WERFF, Adriaen van der, Children Playing before a Hercules Group
  		 Children Playing before a Hercules Group   1687 Oil on panel, 46,8 x 35 cm Alte Pinakothek, Munich
7200  
WERFF, Adriaen van der, Holy Family
  		 Holy Family   1714 Oil on panel, 36 x 29 cm Amstelkring Museum, Amsterdam
7201  
WERFF, Adriaen van der, Johann Wilhelm, Elector Palatine of Pfalz
  		 Johann Wilhelm, Elector Palatine of Pfalz   1700 Oil on canvas, 76 x 54 cm Staatsgalerie, Schleissheim
7202  
WERFF, Adriaen van der, Maria Anna Loisia de Medici
  		 Maria Anna Loisia de Medici   1700 Oil on canvas 77 x 53 cm Staatsgalerie, Schleissheim
43629  
WERFF, Adriaen van der, Maria Anna Loisia de-Medici
  		 Maria Anna Loisia de-Medici   1700 Oil on canvas 77 x 53 cm
7203  
WERFF, Adriaen van der, Sarah Presenting Hagar to Abraham
  		 Sarah Presenting Hagar to Abraham   1699 Oil on canvas, 76,3 x 61 cm Staatsgalerie, Schleissheim
7204  
WERFF, Adriaen van der, Scene with Shepherd
  		 Scene with Shepherd   1689 Oil on oak, 58,5 x 47,5 cm Gemäldegalerie, Dresden
WERFF, Adriaen van der
Dutch Baroque Era Painter, 1659-1722 Dutch painter and draughtsman. He was apprenticed to the portrait painter Cornelis Picolet (1626-79) from 1668 to 1670 and then from c.1671 to 1676 to Eglon van der Neer in Rotterdam. From 1676 van der Werff produced small portraits and genre paintings as an independent master; the Cook and Hunter at a Window (1678; New York, priv. col.; see Gaethgens, no. 2) and Man and Woman Seated at a Table (1678; St Petersburg, Hermitage) perpetuate the thematic and stylistic traditions of Gerrit Dou, Gabriel Metsu, Frans van Mieris and Gerard ter Borch (ii) but are distinguished by their greater elegance and richness of costume and interior. Van der Werff's portraits date mainly from the years 1680-95 (e.g. Two Children with a Guinea-pig and a Kitten (1681; London, Buckingham Pal., Royal Col.)). The motif of children with animals recalls van der Neer, while the careful depiction of fabrics recalls the Leiden school of 'Fine' painters. His Portrait of a Man in a Quilted Gown (1685; London, N.G.) resembles compositions by Caspar Netscher and Nicolaes Maes: a figure leaning against a balustrade, before a landscape. Van der Werff's work is, however, more elegant, in part because of the depiction of fabrics, but also because of the inclusion for the first time of Classical sculpture, in this case the Farnese Flora



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